În 2016, pe la începutul anului, o descopeream pe Margaret Atwood. Abia atunci. I-am citit, înainte de a mă îndrăgosti de Oryx şi Crake (despre care am scris aici) sau de Ochi-de-pisică, Povestea Slujitoarei, despre care am scris atunci cu un uşor scepticism pe Serial Readers, aici. De-atâtea cărţi încoace, Atwood a devenit una dintre scriitoarele mele preferate, deşi-s multe pe această listă, şi-i admir genialitatea – nu cred că e un cuvânt prea mare pentru capacitatea de a culege din istoria comună acele fapte care, odată expuse-n distopia adaptată şi cinematografic, i-au făcut pe mulţi să exclame că aşa ceva e imposibil, fără a fi conştienţi de ceea ce spune mereu autoarea: cum nu inventează, nu foloseşte prea multă imaginaţie, ci doar prelucrează ceea ce oamenii au gândit şi-au pus deja-n practică, spre îndelungata suferinţă a semenilor. Continue reading
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