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Fericirea trecută şi amintită în moduri care nu mai pot răni

Din noua colecţie Anansi. World Fiction a celor de la editura Pandora M, parte a Grupului Editorial Trei, am început să citesc Viaţa mincinoasă a adulţilor, despre care am scris aici, pentru că nu-mi mai pot imagina o lume fără Ferrante, şi-apoi am făcut un mic ocol prin poezia lui Ronin Terente, apărută la Paralela 45, despre care am scris aici, şi-apoi am ajuns la Bun-venit în America!, romanul scriitoarei suedeze Linda Boström Knausgård. Continue reading

atelier | Raluca Ţincă – Little Houses: „Financiar, lucrurile stau mai bine ca artist, dar asta depinde și de orele muncite”

Din ceramică face căsuţe, pe care apoi le pictează, şi-aşa a apărut Little Houses, replici în miniatură ale caselor Braşovului, în primă fază, proiectul Ralucăi Ţincă extinzându-se apoi şi la casele din alte zone din ţară (Timişoara, de exemplu). Căsuţele se folosesc ca obiecte de decor, se agaţă în piept şi se poartă aproape de inimă ori împodobesc semne de carte; în plus, Raluca realizează farfurii unicat (pe care, dacă ar fi după mine, nu le-aş mai umple cu nimic, de frică să nu le ciobesc perfecţiunea), căni şi vederi cu aceleaşi case mici şi colorate, uneori bijuterii la fel de surprinzătoare ca restul creaţiilor ei.
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Viaţa mincinoasă a adulţilor şi oglinzile greşelilor părinţilor

Viaţa mea a fost altfel după ce am citit Tetralogia napolitană şi am empatizat dureros când cu Lila, când cu Lenu, indecisă când a venit vorba să aleg un personaj mai aproape de inimă şi de traseul vieţii mele de până acum. Aş fi zis, într-o primă fază, că eu sunt Lenu, având în vedere cuminţenia şi ataşamentul faţă de studiu, dar cum să nu-mi identific momentele de rebeliune cu cele în care Lila şi-a luat viaţa în mâini şi şi-a asumat consecinţele? Continue reading

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